March 14, 1944–April 11, 1944
SUMMARY
The
people who supply food coupons to the annex are arrested. The
residents’ only alternative is the black-market ration books they have,
and the food they must eat is horrible. Miep gets sick with the flu, and
Jan says it is impossible to see a doctor. Anne says that she is more
restless than Peter because he has his own room, while she has to share
one with Mr. Dussel.
Anne
and Margot are both growing annoyed with their parents. Anne complains
that her parents are not open about sex and sexuality. She and Margot
exchange letters. Margot writes that she is somewhat jealous of Anne’s
relationship with Peter, but only because she also wants someone with
whom she can share her feelings. Anne is growing happier with her
relationship with Peter but cannot fathom ever marrying him.
Anne
decides to ask Peter about sex, since she believes “he knows
everything,” and later she talks to Margot in the bathroom. Peter
overhears them and thinks Anne only spoke to him to tease him, but she
tells him it is untrue. Anne says she would like to ask if Peter knows
about female genitalia, and she writes a description of her own anatomy
in her diary.
Anne’s
mother forbids Anne from going up to see Peter because Mrs. van Daan is
jealous. Peter invites Margot to come upstairs with Anne. Listening to
the radio at the end of March, Anne hears a member of the Dutch
government in exile propose a collection of Dutch people’s diaries and
letters after the war. Anne writes that everyone in the annex
immediately thought of her diary. She wonders what would happen if she
published a novel about the annex, and thinks that ten years after the
war people would find her diary very interesting. To pass the time, Anne
continues writing stories and describes some of them in her diary. She
also writes about her hobbies, such as genealogy and mythology. Food is
growing scarce and there are no vegetables left.
Anne
is talking to Peter one night when another break-in occurs. Mr. van
Daan tries to scare the burglars away by shouting “Police!” but the
residents see someone shine a flashlight through a gap in the wall and
hear footsteps running away. Anne is terrified, thinking the Gestapo is
about to come for them. The residents lie on the floor, petrified, and
hear footsteps on the stairs and a rattling at the bookcase that hides
the door to the annex. The noises stop but someone has left the light in
front of the bookcase on.
Mrs.
van Daan worries about the police finding the radio downstairs, and
Otto Frank worries they will find Anne’s diary. Anne writes, “If my
diary goes, I go too.” The adults phone Mr. Kleiman and wait in suspense
until a knock comes on the door. They cry with relief when they see it
is only Jan and Miep. Anne wonders why the Jews have been singled out
for death. She decides that after the war she will become a Dutch
citizen because she loves Holland and the Dutch. She writes, “If God
lets me live . . . I’ll make my voice heard.”
ANALYSIS
As
the danger increases, Anne’s perspective about her future continues to
mature. She continually shifts back and forth between feeling that she
is about to die and making plans for her future. The closest encounter
thus far with the police makes Anne contemplate death more seriously.
The possibility of the family being discovered only increases with time,
and the inhabitants take turns contemplating how they will behave when
they are arrested. Anne begins to worry that she will not live to
accomplish any of the things she hopes to, like writing a novel or
pursuing her hobbies. However, she continues to think about her future
and decides how she will identify herself after the war.
Although
at the beginning of the diary she saw herself as a child, Anne is now
beginning to discover her place in the world and see herself as an
adult. In an early entry, on June 20, 1942,
she had written, “It seems to me that later on neither I nor anyone
else will be interested in the musings of a thirteen-year-old
schoolgirl,” because she did not think her thoughts were important for
anyone except herself. Now, however, she is starting to become aware of
the broader significance of her experience and realizes the potential
value of sharing her words with others. With a newfound understanding of
her own mortality, Anne recognizes the injustice of her fate more
fully. She also realizes the value of her diary and her personal
thoughts, and she expresses her hope that her diary will reach people
after the war. Anne’s written words about this hope are what convince
her father to share the diary with others.
Otto
Frank understandably chose to omit several passages from this section,
including those concerning Anne’s sexual curiosity. He believed that
these were personal thoughts and were not necessarily suitable for a
young-adult audience. These moments in which Anne expresses her
sexuality are very important. We see Anne as a girl, rather than a sort
of sterilized saint or victimized martyr. While Anne is a unique and
remarkable individual with a tragic experience, we also see her as a
normal girl, with typical human fears and desires. If Anne’s diary
entries focused only on the war or her hiding, we would feel less
connected to her tragedy. However, Anne intersperses her thoughts about
death and the war with accounts of time spent with Peter and her growing
sexuality. We feel a greater connection and identification with Anne,
and her tragedy causes even more emotional impact.
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